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Saturday, 27 October 2012

Burton Cummings - Massey Hall

Posted on 12:52 by Unknown
Considering Burton has been apart of my listening rotation since my birth and I've grown up a fan of his musical musings I'm a little excited to hear and see a new released of him live. He's one of the very few artists that I can without malice say a live recording is going to be good. He's a solid performer and a great actually lets go there he's an absolutely brilliant singer on a live stage.

The Massey Hall release is a classic run through of all things Burton related and the playlist is undeniably awesome. You can't find songs better than the material that has been included on this album because some of these songs are the greatest rock or pop tunes in the history of music. Sure there are some that we roll our eyes at and that's fine but when you get to a songs like "These Eyes" which is in the top ten or twenty of greatest musical compositions in music my statement is easily proven as an absolute truth.

The album opens with "No Sugar Tonight/New Mother Nature" that still has all the charming charisma and shine it had back in 1970 when I was only two years old and I'm positive my parents were cranking up and rocking the house to daily with it. This version has Burton singing it a little lower in key but the presence of his voice and the songs incredible melody dances in my ears and I can't help but sing a long with huge Canadian pride.

The album progresses along through some more Guess Who classics to the Burton Cummings ballad "Stand Tall" that is not only a slice of pure songwriting genius it's probably Burton's single greatest solo hit single. In 2012 at 65 years old you get this guy singing as if he's half or less his age. He sounds great and hits the notes and keeps the melody. A very impressive reading of one his very best moments on vinyl. A few more songs and we get to the Randy Bachman jazz number from 1969 "Undun" a song I wasn't big as a kid but once I grew into a teenager this song really began to come into focus for me and I couldn't get enough of Gary's drumming and Randy's soloing on the original which was really killer stuff especially for me being into drums.

Burton does up "I'm Scared" that the band just hits perfectly here it sounds almost exactly like the album release and Mr. Cummings sounds once again as good he did back in 1977 when the song was originally released on his debut solo album. His duck out of the cold being lost in New York a story I had the personal experience of hearing in total one night while he was sitting on the sofa in our living-room. See my mother dated one of his best friends from childhood and road managers back in the 80's for the better part of a decade. Another reason why I'm such a fanboi of him, I'm sure is that personal connection. Come to think of it I wonder if Marty still works with him today? Anyway back to the music!

The reading of "These Eyes" is a still top flight on the Massey Hall album but I've heard him hit this one out of the park live a few times that I've captured in my memory that will never be touched so this time around as good as it is there are better ones out there. The most overplayed Guess Who track "American Woman" rips it up near the end of this excellent live album. Burton's voice is still the only voice that sounds right singing this song and it's been covered by Kravitz and Krokus to varying degrees of success. I don't care for the Kravitz version and I've never heard anyone do it better the man that wrote it and here on this album it still kicks the ass of all the covers by others.

My one complaint here is that there is no "Bus Rider" and a complete absence of his two rocking solo hits "Your Backyard" along with "My Own Way To Rock" as well as missing is the 80's classic "Fine State Of Affairs" which could have replaced easily "Timeless Love", "Guns Guns Guns" and "Above The Ground" plus he could have finally pulled "Fame Junkie" from obscurity or even his minor hit "Love Dreams" from the excellent 1984 album Heart. Again I'm a huge fan so I can always want for more or different tunes from such a large back catalog of great material.

In the end this is a less spirited version of Burton Cummings given his advanced age but he still has it and the crowds that show up are getting a great performance from a legend. Now only if those moron's and idiots at the Rock N' Roll Hall Of Fame would induct someone deserving instead these wastes of space like the Beastie Boys and Run DMC who aren't even rock and or roll and didn't come close to earning those spots like the talent that was known collectively as the Guess Who!
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Monday, 22 October 2012

Check Out: Big Wreck - The Oaf Live

Posted on 21:54 by Unknown

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Friday, 19 October 2012

50 Best Heavy Metal Albums Of All-Time

Posted on 14:24 by Unknown
There are so many sub genre's of Heavy Metal that I'm going to keep this list open as to what genre's I include being all of them. Now these are my opinion and not the typical crap you see on nearly every list out there.

50. HellYeah! 2012 - Band Of Brothers
49. L.A. Guns 1991 - Hollywood Vampires
48. Overkill 1989 - The Years Of Decay
47. Jetboy 1988 - Feel The Shake
46. King Diamond 1988 - Them
45. Quiet Riot 1983 - Mental Health
44. Trivium 2006 - The Crusade
43. Metallica 1983 - Kill 'em All
42. Pretty Boy Floyd 1989 - Leather Boyz With Electric Toyz
41. Great White 1987 - Once Bitten

40. Black Sabbath 1980 - Heaven & Hell
39. Roxx Gang 1990 - Things You've Never Done Before
38. Mötley Crüe 1981 - Too Fast For Love
37. Slaughter 1990 - Stick It To Ya
36. Helix 1984 - Walking On The Razors Edge
35. Dope 2001 - Life
34. Warrant 1990 - Cherry Pie
33. Poison 1988 - Open Up And Say Ahh
32. Halford 2000 - Resurrection
31. Marilyn Manson 2003 - The Golden Age Of Grotesque

30. Slayer 1988 - South Of Heaven
29. Megadeth 1992 - Countdown To Extinction
28. Judas Priest 1984 - Defenders Of The Faith
27. Kix 1988 - Blow My Fuse
26. Metallica 1984 - Ride The Lightning
25. Helloween 2007 - Gambling With The Devil
24. Whitesnake 1984 - Slide It In
23. Scorpions 1982 - Blackout
22. Cinderella 1986 - Night Songs
21. Iron Maiden 1982 - The Number Of The Beast

20. Ozzy Osbourne 1989 - No Rest For The Wicked
19. Skid Row 1990 - Skid Row
18. Kiss 1983 - Lick It Up
17. Anthrax 2011 - Worship Music
16. Ratt 1985 - Invasion Of Your Privacy
15. Iron Maiden 1988 - Seventh Son Of A Seventh Son
14. Guns N' Roses 1987 - Appetite For Destruction
13. Dokken 1984 - Tooth & Nail
12. Mötley Crüe 1983 - Shout A The Devil
11. Led Zeppelin 1969 - II

10. Def Leppard 1983 - Pyromania
09. Black Sabbath 1973 - Sabbath Bloody Sabbath
08. Testament 1999 - The Gathering
07. Suicidal Tendencies 1990 - Lights, Camera, Revolution
06. Deep Purple 1972 - Machine Head
05. ACDC 1980 - Back In Black
04. Fight 1993 - War Of Words
03. Megadeth 1994 - Youthanasia
02. Nazareth 1973 - Razamanaz
01. Led Zeppelin 1971 - IV

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Wednesday, 17 October 2012

Animal Collective - Centipede Hz

Posted on 22:32 by Unknown
I came into this listening with great anticipation because I wanted to love this album and be mesmorized by their innate awkwardness and specific creative atrocities on what we know as music. This band isn't getting the same blasts of love and success as Bon Iver and Arcade Fire but I find them much more invigorating and splendid than either of those two acts and constant critics darlings. 

The band have once again created something so un-mainstream and cool that the mainstream majority will probably dismiss it. Animal Collective’s madcap and vital new album Centipede Hz will likely divide fans into two lopsided camps: a mostly satisfied majority and those who hate it because it’s not Merriweather Post Pavilion. Fans with little familiarity with Animal Collective’s prolific output apart from Merriweather Post Pavilion, or with its member’s solo efforts, will have to brace themselves for a skittering, bonkers midway ride. For those familiar with the twists and turns of this changeling’s work, Centipede Hz’s stark departure will seem more like a natural progression, though one ostensibly juiced up by large doses of methamphetamine.

 Now considering my absolute love for music my friends will hate or not understand drives me towards bands like Animal Collective and their strange but true characteristics. The linear pulse, and a paring back of their signature kaleidoscopic Pet Sounds harmonies, might bum out the band's cult – people who took Merriweather as cause to go off their antidepressants. But fear not, hipster Hobbits, even when Animal Collective go "garage rock," it's still pure psych-rock Romper Room. 

This is a band that takes deep vocal influence from Donovan's "Hurdy Gurdy Man," which ping-pongs from East Asian classical music to post-punk drum circles to gooey doinktronica, whose tripnotic circular rhythms (via Stewart Copeland fan Panda Bear) are often more like GIFs than grooves, which drops a jam called "Father Time" that sounds like Xavier Cugat playing an ashram.
What gives Centipede Hz its relatable gravity is that, this time out, Animal Collective sound more like creatures who put their skinny jeans on one hoof at a time. "Wonder how I even wrote this song/Does this not occur to almost everyone?" Tare sings on "Monkey Riches." For a band that usually seems to be eternally shambling toward transcendence, a shot of ambivalence is a brave new kind of pick-me-up.

As I previously stated this album won't be everyone's cup of java but when you like your caffeine mixed with delicious dairy and shots of syrup then this might just be what wakes your brain from that golden slumber to alert status red. Just shut up and listen to the album that will be the hipsters indie rock darling while knowing all along that hipsters know fuck all and you are just as cool as they think they are. Centipede Hz is an album by a group of guys who were the coolest guys in school that you didn't relate to because you were afraid to be that bloody awesome.

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All Time Low - Don't Panic

Posted on 21:54 by Unknown
Very well produced pop rock music is on tap with Don't Panic and album full of good riffs, chorus's and solid production. The well crafted songs always have something to offer to fans of the genre but now and again All Time Low miss the mark.

The band haven't written a masterpiece of reinvented the wheel on Don't Panic but they do put together a rather solid collection of music that is unoffensive entertaining and worth listening to when you want to just enjoy whatever your doing.

The band do elevate themselves above average with "For Baltimore", "The Irony Of Choking On A Lifesaver" and "If These Sheets Were States" and fall apart completely on "So Long Soldier". Again this is solid but not amazing and in the end won't be the most memorable album you hear this year but you might come back now and again to listen to the better tunes.
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Aiden Grimshaw - Misty Eye

Posted on 21:40 by Unknown
Aiden was a castoff on X-Factor UK and from the moment I saw him audition I knew there was something special about him. He is surely not a pop star in the current pop market of tarts and queers. He's more akin to the credible side of music, where bands like Radiohead and U2 reach lofty heights.

Sure, Misty Eye is a pop record in the strictest sense of the word, but at the same time it's difficult to envisage the symphonic title track or beat-laden 'This Island' receiving the karaoke treatment any time soon.  Lana Del Rey collaborator Jarrad Rogers was tapped to work with Grimshaw on Misty Eye and that was a great call for everyone involved as the album has a sound and a feeling that breathes life into the songs with emotion and desolateness that can wring you of all power while listening.

Athlete's Joel Pott and Steve Rushton - formerly in Busted off-shoot Son Of Dork - also make cameos as co-writers here. Pott's contribution, the Alex Clare-like 'Is This Love' falls under the weight of its own expectation trying to catch the dubstep gravy train. Rushton's efforts veer between the sublime reflective tones of the orchestral title track and atmospheric lament 'Poacher's Timing', to the closing number 'Curtain Call', which briefly strays into Williams territory via Andreas Johnson's (remember him?) 1999 hit 'Glorious'.

'What We Gonna Be' is one of the few moments that see Grimshaw fall flat on his face as he apes Tinne Tempa's "Written In The Stars". The song is almost laughable and really derails a good album. Grimshaw's subdued take on Sia's 'Breathe Me' also suffers from piano-ballad-by-numbers syndrome, while self-referential slowie 'Be Myself' wins first prize for stating the bleeding obvious ("I gotta be myself, no one else...").

Aiden's intense stage persona oozes through his deeply fervent lyrics of heartbreak and despair. "Behind my eyes I'm terrified/ Now you're gone," he admits on "This Island", before declaring that the solitary space is "suicidal". It's painfully hard stuff, but refreshingly honest. His chances of winning The X-Factor UK may have ended criminally early, but Misty Eye is beyond a winner's album. It's interesting, it's daring and, most importantly of all, it's Aiden's.









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Tuesday, 16 October 2012

Check Out: Anerbelin - Someone Anyone Lyric Video

Posted on 17:22 by Unknown
Anberlin might have their most immediate and memorable song to date with "Someone Anyone". The chorus is awesome and got stuck in my head instantly which is a good sign for me.
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